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WOOD/METAL/PLASTIC/PATTERN/RHYTHM/ROCK
Deluxe audiophile pressing on heavy weight vinyl with 7-color tip-on jacket and poster featuring artwork by Che Chen.
Includes unlimited streaming of WOOD/METAL/PLASTIC/PATTERN/RHYTHM/ROCK via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
"It’s hard not to slip into ridiculous hyperbole when it comes to 75 Dollar Bill. Best band in New York City? Best band in the USA? Best band in the universe? Whatever conclusion you come to personally, you’re gonna love the instrumental duo of guitarist Che Chen and percussionist Rick Brown. They’ve definitely nailed down a thrillingly original sound, centered around Chen’s specially designed quarter-tone guitar — something about his tone cuts right to the quick, with North African riffs blending into juke-joint boogies into more avant territory. Brown’s impressively minimalist setup (he mostly plays a wooden crate) is a perfect fit, adding a hypnotic thump to the mix. The whole thing is a little hard to describe, but trust me on this: 75 Dollar Bill is amazing. On the band’s latest release, Wood / Metal / Plastic / Pattern / Rhythm / Rock, the group expand the lineup — baritone saxes, droning violas and contrabass — and deliver their most powerful music yet. Things feel a bit more composed and fleshed out as opposed to the improvised feel of some of their earlier recordings, but it works just fine: four mindbending tracks, each one a delight." -- Tyler Wilcox, Aquarium Drunkard http://www.aquariumdrunkard.com/2016/07/21/75-dollar-bill-wood-metal-plastic-pattern-rhythm-rock/
"...[A] gloriously mind-frying, ritualistic splatter of Zen blues and Arabic and African music-influenced riff-rock repetition that shows Brown and Chen expanding their lineup with sax, violin, bass and second guitar. The sound may be bigger with a sweeter shine yet it remains unmistakably 75 Dollar Bill: epically shambolic, thrifty and jazzy guitarscapes dripping of ecstatic hypnotism." -- Brad Cohan, The Observer http://observer.com/2016/06/the-best-experimental-albums-of-2016-so-far/
"Whether you’re hearing about them for the first time, or one of the many that have danced at their feet, Wood / Metal / Plastic / Pattern / Rhythm / Rock is a scorching adventure into where Rock & Roll should be. It’s unfamiliar, laden with risk and rebellion, and embodies the cross cultural collision that we should all hold as an ideal." -- Bradford Bailey, The Hum https://blogthehum.wordpress.com/2016/05/27/on-75-dollar-bills-woodmetalplasticpatternrhythmrock/
"The second LP from guitarist Che Chen and percussionist Rick Brown is an absolute stunner; incorporating influences ranging from Arabic and Indian music to Mississippi blues, the sound is forcefully hypnotic as saxophones, trumpet, bass, and viola augment the core. Featuring a short piece, one of medium length and two longer numbers, the grooves are psych-inclined but never meandering. Fans of desert blues, Sun City Girls, Endless Boogie, and RL Burnside take note." --Joseph Neff, the Vinyl District http://www.thevinyldistrict.com/the-tvd-record-store-club/2016/07/graded-on-a-curve-new-in-stores-july-2016/
"...[H]ere you have them working with other musicians and outboard effects to accomplish a vertical array of sounds that reward deep listening as much as full-body engagement. The riffing exchanges between sax, double bass and viola add layers of interlocking rhythm, crosscutting melody and swirling texture to “Beni Said,” and a laconic, effects-laden trumpet nudges “I’m Not Trying To Wake Up” towards dub territory. Still, the hardest-hitting tune is also the shortest. Brown’s insistent shakers, Chen’s distorted guitar and Carey Balch’s archetypal floor tom beat on “Cummins Falls” reaffirm 75 Dollar Bill’s allegiance to Bo Diddley and confirm their status as the party band to beat." -- Bill Meyer, Dusted http://dustedmagazine.tumblr.com/post/145859847169/75-dollar
75 Dollar Bill was formed in 2012 in NYC by Rick Brown and Che Chen. Played on a deeply resonant plywood crate, Brown’s elemental rhythms are the foundation and foil for Chen’s ecstatic, modal guitar style. While Brown and Chen are always at the band’s core, they frequently draw on an extended family of players live and on record, from trios to “little big band” to 25-piece marching band.
Includes unlimited streaming of WOOD/METAL/PLASTIC/PATTERN/RHYTHM/ROCK via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 16-bit/44.1kHz.
Our 2nd LP and first on THIN WRIST Recordings: LP version of WMPPRR available via their bandcamp page (https://thinwrist.bandcamp.com/). "It’s hard not to slip into ridiculous hyperbole when it comes to 75 Dollar Bill. Best band in New York City? Best band in the USA? Best band in the universe? Whatever conclusion you come to personally, you’re gonna love the instrumental duo of guitarist Che Chen and percussionist Rick Brown. They’ve definitely nailed down a thrillingly original sound, centered around Chen’s specially designed quarter-tone guitar — something about his tone cuts right to the quick, with North African riffs blending into juke-joint boogies into more avant territory. Brown’s impressively minimalist setup (he mostly plays a wooden crate) is a perfect fit, adding a hypnotic thump to the mix. The whole thing is a little hard to describe, but trust me on this: 75 Dollar Bill is amazing. On the band’s latest release, Wood / Metal / Plastic / Pattern / Rhythm / Rock, the group expand the lineup — baritone saxes, droning violas and contrabass — and deliver their most powerful music yet. Things feel a bit more composed and fleshed out as opposed to the improvised feel of some of their earlier recordings, but it works just fine: four mindbending tracks, each one a delight." -- Tyler Wilcox, Aquarium Drunkard http://www.aquariumdrunkard.com/2016/07/21/75-dollar-bill-wood-metal-plastic-pattern-rhythm-rock/
"...[A] gloriously mind-frying, ritualistic splatter of Zen blues and Arabic and African music-influenced riff-rock repetition that shows Brown and Chen expanding their lineup with sax, violin, bass and second guitar. The sound may be bigger with a sweeter shine yet it remains unmistakably 75 Dollar Bill: epically shambolic, thrifty and jazzy guitarscapes dripping of ecstatic hypnotism." -- Brad Cohan, The Observer http://observer.com/2016/06/the-best-experimental-albums-of-2016-so-far/
"Whether you’re hearing about them for the first time, or one of the many that have danced at their feet, Wood / Metal / Plastic / Pattern / Rhythm / Rock is a scorching adventure into where Rock & Roll should be. It’s unfamiliar, laden with risk and rebellion, and embodies the cross cultural collision that we should all hold as an ideal." -- Bradford Bailey, The Hum https://blogthehum.wordpress.com/2016/05/27/on-75-dollar-bills-woodmetalplasticpatternrhythmrock/
"The second LP from guitarist Che Chen and percussionist Rick Brown is an absolute stunner; incorporating influences ranging from Arabic and Indian music to Mississippi blues, the sound is forcefully hypnotic as saxophones, trumpet, bass, and viola augment the core. Featuring a short piece, one of medium length and two longer numbers, the grooves are psych-inclined but never meandering. Fans of desert blues, Sun City Girls, Endless Boogie, and RL Burnside take note." --Joseph Neff, the Vinyl District http://www.thevinyldistrict.com/the-tvd-record-store-club/2016/07/graded-on-a-curve-new-in-stores-july-2016/
"...[H]ere you have them working with other musicians and outboard effects to accomplish a vertical array of sounds that reward deep listening as much as full-body engagement. The riffing exchanges between sax, double bass and viola add layers of interlocking rhythm, crosscutting melody and swirling texture to “Beni Said,” and a laconic, effects-laden trumpet nudges “I’m Not Trying To Wake Up” towards dub territory. Still, the hardest-hitting tune is also the shortest. Brown’s insistent shakers, Chen’s distorted guitar and Carey Balch’s archetypal floor tom beat on “Cummins Falls” reaffirm 75 Dollar Bill’s allegiance to Bo Diddley and confirm their status as the party band to beat." -- Bill Meyer, Dusted http://dustedmagazine.tumblr.com/post/145859847169/75-dollar
75 Dollar Bill was formed in 2012 in NYC by Rick Brown and Che Chen. Played on a deeply resonant plywood crate, Brown’s elemental rhythms are the foundation and foil for Chen’s ecstatic, modal guitar style. While Brown and Chen are always at the band’s core, they frequently draw on an extended family of players live and on record, from trios to “little big band” to 25-piece marching band.
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