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A Guidonian Hand

A Guidonian Hand
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'A Guidonian Hand' gathers ten interlinked sinistral recordings made across 2020/21. After the distorted sine and square waves of last year’s 'These Charms May Be Sung Over A Wound', this new album broadens the focus to embrace cello, woodwinds, bowed cymbal and piano. The result is a darkly thrilling drift through acoustic and electronic domains.

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All track titles from Thomas Browne.

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‘An alluring mix of magical thinking and material investigation.’
(The Quietus)

‘The elements osmotically seep into the skin of his sound with beautifully sore and evocative results.’
(Boomkat)

‘A new turning point in the stylistic research of this tireless English musician.’
(Sentire Ascoltare)

‘Hills, valleys, ridges, rocks – these things never age, and neither does the music.’
(Fluid Radio)

‘One can’t help but wonder if the 21st century polymath has extended his own hand to history.’
(A Closer Listen)

’It never fails to carry the listener through this reiterative ritual.’
(Touching Extremes)

Digital music editions from Corbel Stone Press & Sustain-Release.

All releases are the work of Autumn Richardson & Richard Skelton.

Found tracks

Richard Skelton - the first point of contaction
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Richard Skelton - as bodies of rest and station
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Richard Skelton - the motion of the indivisible
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Richard Skelton - in the altar of burnt offerings
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Richard Skelton - nectar of the fifth
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Richard Skelton - in ancient fabricks
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Richard Skelton - and instruments of incision
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Richard Skelton - a longilaterall figure
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Richard Skelton - nature is become a point of art
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Richard Skelton - the late afflicting fire
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