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When Kiasmos started out in the late 2000s, little did they know that their part-time supergroup would go stratospheric. It was the sound of two old friends from neighbouring islands striking out against the stark piano and electropop music that they were individually celebrated for and effusively sharing their love of Berlin-inspired beats. But their pairing blew up into a world-dominating live act whose music went on to define the decade.

Kiasmos are returning, renewed and restored, with ‘II’. It’s the triumphant follow-up to their universally acclaimed self-titled debut in 2014, which re-envisioned minimal techno with orchestral flourishes and weightless production. They’d made most of that album in just two weeks; this time it’s been 10 years. The making of ‘II’ was a test of their friendship, but also testament to how great musical chemistry can always go the distance and be just the same as it ever was. “In the beginning, we hadn’t established any sound, so it was easy to write,” says Janus.

“The record sounds fuller,” agrees Ólafur. “The sound design gives you a sense of place and space.”
“II is livelier,” says Janus, “but it still retains the signature Kiasmos style of transitioning from a whisper-quiet ambience to an explosive dance beat that can blow your socks off.” Their phoenix is rising from the ashes, and ready to take flight.

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