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For a number of years, Nina Lim has been at the centre of London’s alternative music scene. Having studied at Guildhall School of Music and Drama she established working relationships as a violinist with Black Country, New Road, Jockstrap, Geordie Greep and M.T Hadley.

Through years of collaboration, touring, and session work, Nina has developed her craft right on the boundaries between pop and alternative. On her debut EP 'The Flowers I See You In', Ninush offers something emotionally resonant, rich in character and playfully kaleidoscopic.

Made in close collaboration with producer and multi-instrumentalist Sam Tsang (Bon Iver, Griff, Chloe Qisha), the pair work freely and without constraint. 'The Flowers I See You In' may have Pop sensibilities, but could hardly be described as a Pop record. Lim is far more concerned with creating exciting, intricate worlds to explore.

Though often grounded in irreverent, catchy hooks, Nina leads you into a rich and intimate musical landscape. Full of deep emotional resonances and complex sonic textures (both orchestral and electronic).

The record is a rich blend of her influences and experiences: simultaneously intimate and expansive, grounded in the world she’s grown up in but reaching beyond it to something deeply personal and new.
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For a number of years, Nina Lim has been at the centre of London’s alternative music scene. Having studied at Guildhall School of Music and Drama she established working relationships as a violinist with Black Country, New Road, Jockstrap and M.T Hadley.

Through years of collaboration, touring, and session work, Nina has developed her craft right on the boundaries between pop and alternative.

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