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Prism Shores are Montreal janglers with one foot planted in ramshackle C86-indebted indie pop and the other in the shimmer of early English shoegaze. Their sound is reminiscent of perennial genre reference points (Sarah, Creation, Flying Nun) while leaving its own idiosyncratic stamp.

Out From Underneath finds the band widening their sonic palette by combining live-to-tape performances with atmospheric overdubbing and studio experimentation, confidently settling into more ambitious textures and arrangements. Lyrically, the album tackles young adult ennui and the adjustment of settling in an unfamiliar city, detailing the growing pains experienced during a time of upheaval. It is contemplative and chock-full of emotional depth — a nighttime album that channels self-reflexive melancholy into some form of catharsis.

Prism Shores are Montreal janglers who cherry-pick the record crate for influence, recalling the best shambling C86, fuzzed-out power pop, and glistening shoegaze while leaving an idiosyncratic stamp.

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