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Oyster Cuts, the Merge debut of Quivers, finds the Melbourne, Australia–based outfit awash in the kind of emotions people tend to fear losing themselves in. Finding love after grief, the outsized guitar pop of Quivers gleams like the surface of an ocean, beneath which lies a reef that is at turns beautiful and painful, its features alien and sharp enough to wound. Propelled by melodies that at times recall Galaxie 500 and The Pretenders, Quivers make music that is tender and tough, compelling the listener to dive in again and again, each song a new angle on all of your feelings.

The losses and loves that have informed Quivers’ music since their inception—the sudden loss of a brother in the cracked optimism of We’ll Go Riding on the Hearses (2018) and the life in and after grief of Golden Doubt (2021)—ripple into Oyster Cuts, which is committed to moving forward while accepting that some feelings, like grief, are a cycle. Crucially, Quivers committed to moving forward with each other. Paring away the choir and strings of its predecessor, Oyster Cuts is a showcase for what’s still possible when four people—Sam Nicholson (guitars), Bella Quinlan (bass), Michael Panton (guitars), and Holly Thomas (drums)—make music together.

Jangle-damaged pop, Oyster Cuts out August 9 via Merge Records.

www.mergerecords.com

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