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/ Digital Album
RECUERDOS QUE OLVIDÉ 006
FAMILY is an immense and mysterious group. “Un Soplo En El Corazón” was love at first listen for so many people, and it awakened our desire to know more about its stars. But only a lucky few of us could talk about their history in EL JOVEN LAGARTO and a prior demo to the album that gave them a definitive place and what would soon be the group’s only album. It’s considered by the media and by fans to be one of the most important and influential allbums in the history of pop music in Spain. We know that many of you have been anxiously awaiting this - so have we - and the time has finally arrived: Elefant Records is going to release FAMILY’s “silver” demo. It will be a 12” vinyl called “Casete”. Because that’s what this album is, a recording that Aramburu and Gametxogoikoetxea made – alone and on cassette – on a four track cassette reel. Dated 1991, it is a faithful reflection of what they were, without buffers, without the refinement that comes from production, with the limitations of their amateurism and the force of their conviction. “Casete” is FAMILY in all its intimacy. And right along with that scarce-resource spirit is their design, which plays with the original cassette’s spareness without adding after the fact anything that could contaminate its memory. A good part of the value of that demo now resides in the extra-musical aspects, like the memory that goes along with that recording that the group gave away as a homemade cassette. This “Casete” from FAMILY is definitely the album we listened to the most in our rooms as students when we were starting to give shape to our little label, and its songs have been an important part of our lives without a shadow of a doubt. The fondness we still feel for these songs, these first versions and that cassette tape that Javier gave us, is infinite.
The group’s determination that it was Xavier Alarcón who was responsible for digitalizing these four tracks could not have worked out better. It is a brilliant remastering job done from the original tapes from the Yamaha MT3X multitrack cassette recorder. The album includes early versions of some of the songs that were included on their album, as well as some which have never been released. The first feeling you have after listening to this for the first time will be that in these demo versions the guitar shines in its almost complete absence, which increases the dance-ability of these songs, closer to techno-pop than electronic pop. That’s what happens with “Carlos Baila” and “Como Un Aviador”, which seem to be connected by the rhythmic base, and elevated to those levels that the group has earned for themselves, this time thanks to the cushion of keyboards and a provocative bareness. The rhythmic production of “Nadadora” is rougher than the final version, though that is exactly why it sounds stronger and reveals even more of the artists who were hiding behind the song’s lyrics. NEW ORDER glide through “Yo Te Perdí Una Tarde De Abril”, while “El Mapa” is one of the most difficult results to recognize, with a different rhythm, no guitar, and the omnipresent keyboards.Techno-pop wins again on “Martín Se Ha Ido Para Siempre”, while “Al Otro Lado”, with the exception of a few production and sound details, maintains practically all of that lively yet enigmatic spirit we already know and love. Between “Dame Estrellas O Limones”, as magical as on the album, and “El Buen Vigía”, bathed more in electronica and programmed basses, we find “Sentimental”, a song that had never been released before now, at least by FAMILY, since FANGORIA had a version on their album “Un Día Cualquiera En Vulcano S.E.P. 3.0” and also MODULAR made a cover version recently that is included in the “Homenaje A Family (Un Soplo En El Corazón De Elefant)”, a tribute album to FAMILY.
There are probably very few people who are coming to this album without having heard FAMILY’s “Un Soplo En El Corazón” first, and there are probably even fewer fans of the group who don’t know these demos have been floating around for years in different formats. But we are sure that all of them will enjoy these songs that maintain their shroud of mystery, their tremendous sensibility, but that here are more artistic and arid, solid and serious. For the hardcore fans, and there are a lot of us, it will help placate, just a little bit, the need for more material from the duo from San Sebastián, bringing them a little bit closer and giving us a little more insight into their workings, their trajectory, and the true origin of that album that has become a symbol of something more.
That surprise ending, hidden, was something that only they could give us, in the unexpected way that is so typical of them. There is a version of VAINICA DOBLE’s “Sígueme”. They were a key group in the musical concepts of Javier Aramburu and Iñaki Gametxogoikoetxea’s band. It is a delicacy that seems to want to tell us something (hasn’t that subtlety always been one of the things we loved most about them?), quietly, almost without looking directly at us, but ultimately, piercing us in the deepest part of our hearts. Hearts which were already pierced by another, previous sigh, anyway. That’s where their album got its name.