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What We Don't See
Embossed, monochrome printed and matte laminate sleeve, insert card
Includes unlimited streaming of What We Don't See via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
The theme of this recording is the invisible world, and one's (my) need for it.
It's necessary for me, this idea of the invisible world, if I am to function on a daily basis. I find comfort in knowing that this is all not just us here and now, that there's something else around us. That there's something within
us, that isn't just this frail skin and bones and the immediate environments
we drag ourselves around.
I am sure since I was a child, that within me I am many, I am more than this.
I surely can't be just this, so I am motivated by the fantasy and/or promise of more...
FINAL has existed sporadically since late 1983, when Justin k Broadrick was 13, initially as an industrial / power electronics exploration, FINAL was shelved in 1986 whilst Justin pursued his activities with Napalm Death, Head Of David and, of course, GODFLESH, and then revitalised in 1992, to traverse sombre, ambient themes and beatless spaces, sometimes almost exclusively guitar based.
Includes unlimited streaming of What We Don't See via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 24-bit/48kHz.
From Justin Broadrick:The theme of this recording is the invisible world, and one's (my) need for it.
It's necessary for me, this idea of the invisible world, if I am to function on a daily basis. I find comfort in knowing that this is all not just us here and now, that there's something else around us. That there's something within
us, that isn't just this frail skin and bones and the immediate environments
we drag ourselves around.
I am sure since I was a child, that within me I am many, I am more than this.
I surely can't be just this, so I am motivated by the fantasy and/or promise of more...
FINAL has existed sporadically since late 1983, when Justin k Broadrick was 13, initially as an industrial / power electronics exploration, FINAL was shelved in 1986 whilst Justin pursued his activities with Napalm Death, Head Of David and, of course, GODFLESH, and then revitalised in 1992, to traverse sombre, ambient themes and beatless spaces, sometimes almost exclusively guitar based.
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