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Demo is much in line with Jones's 1980s recordings, a set of primitive percussion tracks assembled from hand drums, chimes and simple effects, and possessed of a coldly malevolent focus. The Wire

Original Cassette material from Bryns home, Audio Restoration by Radboud Mens.

Muslimgauze occupied a strange place in the musical world. He was a powerful, prolific innovator, releasing albums that were alternately beautiful and visceral, full of ambient electronics, polyrhythmic drumming and all kinds of voices and sound effects. The recordings earned him a devoted following in underground, experimental and industrial music circles worldwide.

The New York Times 1999